28 March 2011

Alma's Dilemma, Almshee's Heartbreak

Gil Seeley has taken over my music history class for the remainder of the semester.  On our way to the twentieth century, we took a pit stop at Mahler.  We watched a good portion of the movie "Bride of the Wind" in class today - and our assignment is to write a poem about it.  (Gil really likes to make his students write poetry in response to whatever is going on in class, so I may be posting many of those in the next few weeks.)

Anyway, the movie is about Mahler's wife, Alma.  She was about 20 years his junior, a pianist, a composer, and the most beautiful woman in Vienna.  Alma was a very outspoken and liked to break tradition.  She gave up composing when she married Mahler and grew into resenting how much of her life and self she gave to their marriage.
Here's my stream-of-conscious-esqe poem from the first hour-ish of the film written from Alma's perspective (Mahler called her Almshee).


Alma's Dilemma, Almshee's Heartbreak

Vienna carnival, intoxicating, overwhelming, promiscuous
What is the cost of breaking the rules of my society?

Simplicity wars with complexity
Traditional constraints limiting my expression, my art
Speaking my mind sometimes causes me troubles
Sometimes leading me to pleasant surprises

Talents trying to fight their way through mishap and imposed constraints
Talent meets beauty, beauty falls for the big head
Overwhelming sound, a fight for the overwhelming beauty
A symphony for the world, a symphony about the world

Tradition causes tension, changing tradition leads to inspiration
Pleasant surprises changing old pans, creating new relationships
Traditions changing with the arrival of new peoples

I gave up one love and life for another, so many sorrows unforeseen
Death of our child, the saddest melody running through our heads
His heart irreparably broken

I met a new flame to dance away my pain
His heart emotionally and physically dying
My flame burning the bridge we had built between us
Only partially rescued when we left for a new world

Letters across the ocean keep me company
He returns home frail, his vitality shrivelling from his dying heart
I don't need to go to the cemetery to remember him
New flames try to bring back by soul and vitality

16 March 2011

The Silver Swan

I just finished writing a setting of The Silver Swan, using the text from Orlando GibbonsGeorge was really excited about it - he's decided that it should be on the student composition recital on April 19th and has set out to find me performers (2-3 for each part) and has volunteered to run the rehearsals since I have such a busy schedule with my science/music double major and the numerous projects I have for the last 5 weeks of the semester.

I'm quite excited about this!! I haven't really written for choir-like setting before.  If George can help me pull it together for the recital, I hope it turns out well so I get a decent recording out of it.

It has a kinda of renaissance-y sound aside from the modern-esqe harmonies and voice-leadings I've stuck in - slowly changing chords by moving one voice at a time, playing with major and minor resolutions.  Should be an interesting ear-training exercise for the performers. Haha :)

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The silver swan, who living had no note,

When death approach'd, unlock'd her silent throat;

Leaning her breast against the reedy shore,

Thus sung her first and last, and sung no more.

Farewell, all joys; O Death, come close mine eyes;

More geese than swans now live, more fools than wise

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